Retail Architect: pattern, color and scale that delivers a marketing message

BBW store
I took this photo of a new Bath & Body Works store in a recently renovated local mall because the project is instructive on several levels. First there is no doubt about who the retailer is. The name is perfectly highlighted on the front of the main entry fixture, again above the wall display, and of course on the storefront sign, there but not shown. Some landlords try to limit the number of times a retailer can repeat their logos in the line of vision. As a Retail Architect, I find that, recently, this practice has been giving way in favor of more flexible design guidelines, possibly in response to tighter retail markets. Either way, repetition is good for the brand.

This project is about more that the name though. It is about delivering a marketing message, which is done here by the clever incorporation of text into the very context of the store. Let’s consider the context first. The checked wall covering is extremely busy and could have, in a different application, gone totally wrong. It is working here because the high contrast both attracts attention and supports the message in terms of scale. In fact, it functions as a connection between the blocks of small merchandise and the actual text messages which are all offset in large solid color fields. These solid color blocks show up as more that just backdrops for signage. They are used in the back of displays, as plain color coded markers used to define categories of merchandise, and even as fat text turned into color blocked display fixtures. The result is interesting and completely readable.

Bridget Gaddis, is a Licensed Architect and LEED-accredited Professional practicing nationally, and locally in the Washington DC area. She holds professional degrees in both Architecture and Interior Design, and with a comprehensive background in commercial retail design, planning and construction has completed projects for such for such well known brands as Chloe, Zegna, and Bvlgari. Her career began in tenant coordination and site planning for two well-known Cleveland developers, followed by six years in store planning for a national retailer. After a move to New York City in 1997, she spent the next years working for architecture firms specializing in retail projects. In 2011 she started her own practice in Alexandria, VA. Ms. Gaddis is the author of two blogs dealing with architectural subjects.

Unbrand Store Designs

Is this the face of the "Unbrand?"

If you are a sometimes visitor to this site you may have seen me ponder the impacts of “unbrand” in previous posts. With this recent article on “AdNews” I find myself again bestirred on the subject. The gist of the article is that “Unbrand” is a “Movement” initiated by Gen. C (connected) values, resulting in a shift in market focus from the designer to the designee. When considered in the context of the currently “logocentric” shopping place this shift could, in the design sense, prove to be profound. In short, how does/will/should an “unbrand” look? The temptation to present the obvious was too strong, leading me to alter the photo above to match the idea. Of course, no one has actually come to me and said, “I am opening a new store. I will be selling shoes. The store does not have a name. Please design the prototype.” That does not, though, stop me from trying to envision such a shopping experience.

toys dress

carOr maybe stores should rely on large format graphics and photos with generic labels to identify their products. It is, after all, how it is done on http://etsy.com. Either way, there are no answers here, just explorations. You will find the article here: AdNews: THE ADNEWS NGEN BLOG: The challenge of ‘Unbrand’.

Bridget Gaddis, is a Licensed Architect and LEED-accredited Professional practicing nationally, and locally in the Washington DC area. She holds professional degrees in both Architecture and Interior Design, and with a comprehensive background in commercial retail design, planning and construction has completed projects for such for such well known brands as Chloe, Zegna, and Bvlgari. Her career began in tenant coordination and site planning for two well-known Cleveland developers, followed by six years in store planning for a national retailer. After a move to New York City in 1997, she spent the next years working for architecture firms specializing in retail projects. In 2011 she started her own practice in Alexandria, VA. Ms. Gaddis is the author of two blogs dealing with architectural subjects.

Owning It

Owning a small business is like starting a family but often I feel like a single parent with quintuplets.

When I first began my business in 2012 I filed out all of the correct paperwork. As it would seem, I did so in the most backwards order I could imagine. This was not by my poor planning as much as it was my overall lack of knowledge about the entire process, which between you and I is not incredibly obvious even after having gone through it. I do have to give credit where it is due and I owe a lot to the Small Business Development Center as I may not be where I am today without their guidance.

As a small business owner I have had to wear many hats and to keep my costs low I have had to wear all of those hats on my own.Meghan

The Photographer As a lead photographer I have enjoyed the ability to be as structured or organic as I like and have been able to be creative with on the spot changes due to weather, venue and wardrobe mishaps. I feel that this is my strongest role and one that I am constantly improving and honing. A big thanks to friend and fellow photographer Sam Dingley for my stunning headshots. That comes off like I am bragging about me, but I promise I am bragging about his photography skills.

The Website Designer In all fairness the bare bones of my website was originally created by a friend Kendall Totten Design who is an incredible developer but is now ran almost entirely by me. I try to check in with her once or twice a year to do an overall update to my site when I need assistance with code or say, I accidently delete a section of content. Oops. But other then that, all content, now comes from me in all of my glorious grammatical errors.

The Ad Executive I do my best to funnel all social media traffic back to my website but at this time do not use any paid advertisements to gain clients. My social media presence is crucial to my image so I do my best to keep my brand consistent. My logo was again created by a dear friend Mindy McPeak Illustration and my business cards and header by another Graphic Designer friend Danielle Webb who I think I traded the designs of for wine and cheese. Overall my business is driven by word of mouth. My clients return year after year and tell their friends about their experience with me and in turn become new clients.

The Attorney I cannot afford one at this time and so I am my own legal counsel. I have done my best to be upstanding and have tried to protect myself by using contracts and holding a Limited Liability Corporation (LLC). I even keep my business bank account separate from my personal account. I figure there is no excuse for being careless so I might as well be prepared.

The Salesman I like to pride myself on my ability to sell. I used to sell for J.Crew and could sell corduroys and chino’s like it was my job. And at Cheesetique I used to sell cheese and wine like it was my job, because at one time it was my job. But now, I am in the business of selling myself. Gasp. And this is not easy for me. I believe I am an incredible artist and yet it takes everything in me, to sell me. It is not like I bathe in confidence but I do have to overcome myself sometimes and sell my experience, skill and artistry.

The Accountant I file my own taxes. I create my own budget. I try to keep my advertising costs and business expenses low. I pay sales tax in three states and currently for an LLC in one. I file everything on my own that I need to keep my business running and upstanding with the law.

The Balance I am a full time wife and mother and so it is essential that I maintain a balance with my work. I tend to work nights (editing) and weekends (photographing) when my partner can be with our little one. The lifestyle of a Wedding and Portrait Photographer lends itself well to my available schedule.

Starting Your Own Business? Ask for Help The Small Business Development Center of Alexandria was an excellent resource for me when I began my business and they helped to point me in the right direction and showed me where to file my LLC, Business License, Trade Name and Sales Tax. I also had to set up an Employer Identification Number (EIN) with the IRS and I would not have known this had it not been for their assistance. I also took advantage of their social media counseling which has proven to be priceless.

You can reach me at:

 

(202) 681-9848

[email protected]

http://www.shotinthedarkphoto.com/

 

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Store Design: Materials

I was researching another project when I ran across these book stores. I was looking for examples of how different building finish materials can change the perception of merchandise quality in a store design, and as these views are void of brand signs, they allow for a fairly objective comparison on a store planning level as well. The examples were good enough to turn into an article as follows:

Store 1
Store 1

Store 1 – This first store reminds me of Strand Bookstore in New York City, locally famous for used books, which should not come as a surprise as the plastic on the windows, mismatched fixtures, cheap but effective fluorescent lighting and existing brick walls and wood floors all suggest, not only extreme economy, but also sustainability. The chairs and wide aisles suggest a comfortable and possibly entertaining shopping experience. In NYC this equals “shabby chic.” Anywhere else it risks being just shabby.

Store 2
Store 2

Store 2 – The actual fixtures used in this store, likely high quality painted wood, display the merchandise for maximum advantage and provide storage as well. Nevertheless, carpet and acoustic tile floors and ceilings are strictly utilitarian, as is the lighting, which is adequate but stylistically dated as it is used here. The monotone, high foot candle light level removes the possibility of any particular focus or feature areas, as does the “many evenly spaced rows” type of layout. This ambiance is all about volume and possibly crosses over to discount.

Store 3
Store 3

Store 3 – This appears to be a high profile, historic, urban environment that is possibly a destination unto itself. Efforts have been made to help the store fixtures disappear into the location. Wood shelving and display tables match existing architectural trim and carefully placed invisible light sources outline perimeter merchandise walls artfully tucked under the balcony. Like dancers in a grand ballroom, table top displays nicely present the merchandise to main floor shoppers. A polite, public mood prevails.

Store 4
Store 4

Store 4 – This is another example of how existing buildings can drive the retail ambiance of a space. Exposed structure, skylights, stone walls, and distressed concrete floors identify an industrial loft type environment made relevant by the addition of colorful art lights, and a bit of modern ceiling material. Tall store fixtures made of construction grade wood emphasize the soaring ceiling height and merge into the prevailing aesthetic. One might be surprised to find that this trendy store, like store 1, is also selling used books.

Store 5
Store 5

Store 5 – Perhaps the most unique of the stores, this is defined first by the the top to bottom wood finishes and then by the contemporary parkitecture, including the shelving units carefully incorporated therin. Visions of everything from Hoss Cartwright’s Ponderosa to Bilbo Baggin’s Hobbit Hole are conjured. The place practically invites the shopper to enter a mysterious world of fantasy.

Store 6
Store 6

Store 6 – Finally we have the shop of no finishes, except of course the books, representing the weighty world of gold bound illuminated manuscripts and classic volumes read and reread over time in days when they had more than just historic value. This is the revered library showing up in Patrick Rothfuss’, The Name of the Wind.

Finally, it is of interest that, in spite of differing book sizes, the shelf heights have been maintained to form continuous horizontally aligned rows of books in all of these stores.

All photos on this site belong to the author, are used under Creative Commons or with permission from the photographer. The source may normally be found by following the link attached to the photo.

Bridget Gaddis, of Gaddis Architect, is a Licensed Architect and LEED-accredited Professional practicing nationally, and locally in the Washington DC area. She holds professional degrees in both Architecture and Interior Design, and with a comprehensive background in commercial retail design, planning and construction has completed projects for such for such well known brands as Chloe, Zegna, and Bvlgari. Her career began in tenant coordination and site planning for two well-known Cleveland developers, followed by six years in store planning for a national retailer. After a move to New York City in 1997, she spent the next years working for architecture firms specializing in retail projects. In 2011 she started her own practice in Alexandria, VA. Ms. Gaddis is the author of two blogs dealing with architectural subjects.

Del Ray Wedding Venders

Earlier this year I met with Katie Wannen, fellow Small Business Owner and Wedding Planner at The Plannery and we decided to start a group for wedding vendors in Del Ray. Over the Summer we collaborated on the logistics of the group and then after some interest from quite a few folks, a website was born. Del Ray Wedding Venders is a one stop shop Del Ray For Your Wedding Day!Print

I am so excited to open  this group up to all of you who may be looking to tie the knot and who may also have an interest in supporting predominately Small (Local) Businesses.

If you are looking for specialty wear for flower girls look no further than Darling Betty who offers handmade 1950’s fashions for little girls. For gifts, we feature truly life  who not only make their own skin care products but grow the ingredients and loofahs in their own backyard. It does not get much more local than that! And for invitations, the unique and truly talented duo at Sediment Press. See our other blog about their printing process here.

If you are looking for local vendors look no further. If you are a local vender and you want to join the group please contact us here.

A special thanks to Katie, the brainchild of this group and the creator of our beautiful new Del Ray Wedding Vendors website. And to graphic designer Maud Bentley of Maud Bentley Design the for beautiful creation of the DRWV logo.

I am Meghan Stewart, a photographer and small business owner of Shot In The Dark Photography.

You may reach me at:

(202) 681-9848

meghan@shotinthedarkphoto.com

http://www.shotinthedarkphoto.com/

 

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Create Brand Experiences Using the 3 M’s

The Coca-Cola logo is an example of a widely-r...Brands are everywhere! Products and services are constantly advertised to consumers through social media, mobile devices, digital signage among many other new and traditional avenues. There is more competition than ever for brand recognition and loyalty among consumers.

As consumers increase in volume and technological savvy, businesses must adapt their approach to marketing and branding to them. Creating high-quality brand visuals and messages is a must, but to truly distinguish their brands, 21st century brand stewards must go a step further. Three principles, each beginning with the letter M, will help the men and women who create brands achieve greater success in today’s market.

Meaningful

Branding for today’s audiences should, first and foremost, be meaningful, answering the question, “What is the problem that is being solved through the product or service?” Brand messaging is rooted in seeking answers to real problems. Common emotions or situations, such as humor, happiness or fear can be used and even featured in brand messaging or imagery, but ultimately if there is no need that is clear, the brand positioning ought to be re-considered.

This principle is the one of the three discussed here that is most essentially connected to both producer and consumer. To solve problems is why companies get into business, and why customers seek out businesses or organizations in the first place. This aim of branding will answer this question: “How will it meet a need in your life? How does it do it better or differently than anything else?”

Brand experiences developed for products and services give meaning by speaking to real and perceived needs and wants on the most basic human levels. Brand crafters should be able to restate their solutions as answers to problems and questions. This is important because clients and customers are more likely to return to brands that they feel excel at meeting real needs that they have.

Memorable

Secondly, brand experiences should be memorable. Children and adults love stories. We love to hear them and we love to make them up. We are always telling stories and responding to memories from childhood and other periods in life both the pleasant and painful times. This aim of branding answers this question: “How does this product or service make you feel?”

The human mind is always making connections. Brand crafters should use this to create visual and verbal links that tap into the power of stories and memories and heighten the awareness of brands to consumers. This can be done by developing visual and verbal elements (“symbols and saying”) that are either easy to remember or call to mind memories resonant with the target audience.

This principle is most important to the consumer (customer) side. Brands must seek creative ways to tell a story that is uniquely theirs in a way that is authentic and compelling. Discerning audiences can tell if the narrative being presented is not genuine. Fantasy, Future, Tradition, History, Values and Dreams are six of the most popular and common themes used repeatedly in compelling and successful branding.

Don’t underestimate how the power of stories and memories matter to consumers making sometimes difficult brand choices. Brand strategists and designers who tap into the right stories or and create the right memories can make connections with consumers that move them and motivate them to purchase a product or service. Consider the last great movie scene you witnessed and how easy it was to tell your friend about it. Consumers are far more likely to buy and share what they find memorable.

Measurable

Lastly, modern brand experiences should be measurable. Branding is a business tool, created with tangible business goals in mind, such as increased consumer awareness, expanded market share or successful entry into new markets.
After successfully appealing to the head and the heart, brand caretakers must then seek an answer to the questions, “How does it impact lives? How will we know if our initiative, rebranding, campaign is successful?” Branding strategists and designers have at their disposal many methods and tools to gather the answers, including analytics, focus groups, surveys, response cards, inbound marketing, search engine optimization and social influence among many others.

This principle is most important to the producer (the business or entity) than any of the others. Brand strategists and designers, operating as part of business teams, must use and create branding systems that produce some type of data that can be analyzed. They need to measure in a quantifiable ways the net gain in influence and value and profit for their brands and parent companies. They need to know it worked, or if it didn’t work, why was it unsuccessful. Stakeholders of all levels in an organization need to be able to determine if an expensive and expansive strategic campaign was successful in meeting its goals or not?

This principle is vital because lots of time and money is invested in branding. Failing to learn from past mistakes and misjudgments in this area can cost cash, credibility and even careers. In addition, branding is about reputation and perception and reputations and perceptions are two things that can change very quickly. In a world of constant change, data provides bankable evidence that helps brand crafters make better strategic decisions, which ultimately creates stronger businesses and brands.

Once you establish meaning and context for your branding in the everyday needs and wants of your audience, then craft a narrative that is authentic and strikes the right emotional chords, the last step is to deploy your visuals/messaging and keep track of what influence it is having on your intended audience through perception and behavior change.

As you think about the evolution of your brand, remember the 3 Ms: Meaningful, Memorable and Measurable. These are the indispensable characteristics and considerations you should use to guide successful branding strategy and create powerful and effective brand experiences.

Crossing Over the Line of Confusion

This is an instructive exercise on two levels. First lets consider the impact of merchandise placement in the black and white photo. It is quickly apparent that the main show, directly in the line of view as a customer enters or passes by the store, is an indecipherable patch work which says little about the products being sold. Also, there is actually some secondary “visual cognition”going on as our eye looks for clarity and finds it in the higher contrast which appears on the side walls where individual items or groups of items have been carefully framed by the surrounding architecture. This can be an effective technique when used in the right location; nevertheless assigning center stage to a confusion of merchandise is risky and could easily send customers searching for more understandable views in an adjacent store.

There is more to this particular story though as the second lesson is about what happens when highly saturated color is added to the mix. Suddenly what was a wall of confused merchandise becomes a high visibility focal point standing out in and being framed framed by the mid-tone world. Now the wall of merchandise has attracted attention sufficient to cross over the line of confusion and land squarely on the side of interest. Very interesting indeed.

Bridget Gaddis, is a Licensed Architect and LEED-accredited Professional practicing nationally, and locally in the Washington DC area. She holds professional degrees in both Architecture and Interior Design, and with a comprehensive background in commercial retail design, planning and construction has completed projects for such for such well known brands as Chloe, Zegna, and Bvlgari. Her career began in tenant coordination and site planning for two well-known Cleveland developers, followed by six years in store planning for a national retailer. After a move to New York City in 1997, she spent the next years working for architecture firms specializing in retail projects. In 2011 she started her own practice in Alexandria, VA. Ms. Gaddis is the author of two blogs dealing with architectural subjects.

Is Instagram Right for My Business?

Instagram for Small BusinessWith more than 70 million users in the United States and a user base that skews young and affluent, many businesses are taking another look at Instagram.

Instagram is a mobile app-based photo sharing network, where an individual or business can post photos of events, items or anything else with captions and clickable, searchable hashtags. The platform also has tools built in so you can make your Instagram photos appear old, faded or artistic.

Overall, the social network does best for businesses that are visual in nature – retail, art, real estate, home improvement, jewelry, tourism and restaurants. It can also be useful for event-based businesses. There are always exceptions, but those in the finance and IT sectors be better served focusing on other social networks, such as LinkedIn.

In-the-Moment Marketing

Unlike most other social networks, Instagram is really capitalizes on in-the-moment photos of events in addition to products.

Since it’s mobile app-based, you can’t take an amazing photo with your $500 camera, Photoshop it and upload it to Instagram from your laptop. You’re stuck with your iPhone or Samsung or other web-enabled camera. That’s a mixed blessing. (Technically, there are ways around this, but it goes against the spirit of the platform.)

However, nice thing about Instagram is that it interfaces easily with Facebook and Twitter, so if you take a photo with your Instagram app and caption it, then share it on Facebook and Twitter instantly, which can gain your business more followers on all three networks.

Examples and Best Practices

It always helps to look at what other businesses are doing with a platform. Here are some examples of good, effective usage of Instagram:

In the tourism and publishing industry, Outdoor Life magazine has had success with Instagram contests. The magazine asked readers to take a photo with Instagram and upload it to the network with a specific hashtag and username mentioned. (Here’s a recent contest launch post from Outdoor Life for an example of how to set up an Instagram contest.)

To drive traffic back to the publication’s website, Outdoor Life’s website did a post embedding several Instagram photos from users.

You can also buy Instagram ads – Ben & Jerry’s ice cream had some success there – and there are ways through responding to user comments to encouraging and give guidance on purchasing, even though direct links to your website in photo captions won’t work. (A&E clothing is a master at encouraging people to go online to purchase items.)

Here in Alexandria, we love @VisitAlexVA on Instagram. What are your favorite local outlets on Instagram?

Beth Lawton is founder and CMO of Canoe Media Services, an Alexandria-based business that helps entrepreneurs and small businesses shine online with smart social media marketing, blog content and more. More information is available at www.canoemediaservices.com.